Past exhibitions
Carpets designed by Alexandra Copeland
November 2024
Carpets designed by Alexandra Copeland, resulting from her decades of interaction with Afghanistan and its people. Alexandra designed these beautiful pure wool carpets to be made by women in Afghanistan using traditional methods on wooden looms. The making of these carpets provides an income as well as social contact to women in a society that has become closed to them.
What is this? - Bill Sampson
June 2024
Bill Sampson’s work once teased with what he termed ‘easy beauty’ – large
brightly-coloured works made without concern for any of the historic tenets of painting.
In this exhibition, the immediately gratifying elements have been stripped
away – back to the line and as the mediative present, the process, and the
metaphor combines with an entirely new element, the poetic.
This exhibition represented a radical shift in process, and the ever-present
elements of Zen/Buddhist philosophies are left raw.
Knotted floral brooch workshop with Vicki Mason
April 2024
Make yourself a fun and unique floral inspired brooch through learning how to hand knot into perforated plastic canvas. Plan your design using colour palettes and combinations of fibres and then sew in a pre-fabricated brooch pin.
Wear and share your beautiful creation with the world.
No prior jewellery making experience is required.
Canopy - Jewellery by Vicki Mason
March 2024
This new body of work seeks to draw attention to a future trajectory of life under climbing temperatures where large canopy trees cease to exist in the suburban landscape.
Reliquae - Sculpture by Jock Clutterbuck and Trefor Prest
April 2023
Opus30 presented the masterful and extraordinary work of two distinguished sculptors – Jock Clutterbuck and Trefor Prest. Reliquae was opened by art historian Dr. Sheridan Palmer. Jock Clutterbuck is also represented in Melbourne and Sydney by Australian Galleries.
ARID - Photography by Christopher Sanders
March 2023
South Australia is the driest state of the driest inhabited continent in the world. Arid fittingly describes the vast mountain chain situated in the north eastern part of South Australia – a place of grand visual splendour, changing mood and shifting landscapes. This remote region of S.A. holds many culturally significant and sensitive sites, is part of land belonging to the Adnyamathanha people, and includes the Ikara-Flinders Ranges National Park and the Vulkathunha- Gammon Ranges National Park. Over a two year period, Christopher Sanders has explored and photographed the Adnymathanha country, beautifully capturing ancient and mystical sites of the Warren Gorge, Arkaroola, and the Vulkathunha-Gammon Ranges. Opus30 was proud to present a collection of stunning photographs by Christopher Sanders.
Christmas exhibition
December 2022
An exhibition of selected work by Joungmee Do; Daehoon Kang; Beatrice Schlabowsky; Roseanne Bartley; Vicki Mason; Wayne Guest; Mary Taguchi; Sandy Lockwood; Terence Bogue; Jane Sawyer; Simon Lloyd; Liz Williamson; Neil Hoffman; Prue Venables and Nuno. Image: Brooch by Joungmee Do.
Confluence
October 2022
The exhibition entitled ‘Confluence’ will display work by Wayne Guest, Simon Lloyd, Vicki Mason, Nick Mount, Beatrice Schlabowsky and Prue Venables and their adventures across materials.
Contemporary craft practice often demonstrates skilled focus on a singular medium. Lifetime building of knowledge and understanding of one material encompasses history, technique, nuances, spirit, assumptions, and comprehension alongside general understandings of sculptural elements such as line, form, space and time. The drawing in of a second or third material to the work opens new doors of possibility. Sometimes it merely extends the limits of the original substance. For example, objects in porcelain and glass hampered by the risks and impossibilities of kiln firing and annealing can now be extended out into space through the addition of other materials such as metal and wood. Thread and textile additions to hard edged metal add a tactile softness, colour and texture otherwise impossible to achieve. The firing of glass enamels onto the surface of metal extends possibilities of colour and invention.
Such developments also bring learning challenges where former adept experience and knowledge is confronted by new techniques and materials. Through new modes of working, play and experimentation, a world of the unfamiliar and the unaccustomed is entered.
Image: work in glass, metal and wood by Nick Mount.
Photographs by Terence Bogue
July 2022
An exhibition of photographs by Terence Bogue